WARREN BURT - List of Published Articles

PUBLISHED ARTICLES BY WARREN BURT

(where no page number is given, page number is unknown)

1. "Out and About" (Melbourne Concert Diary); New Music Newspaper, No. 1, Melbourne 1977 page 12-14

2. "Video Spectrum"; New Music Newspaper, No. 2, Melbourne, 1977 page 5

3. "Stalin"; texts for piece of same name, ICA Magazine, Sydney, 1977

4. "Cassettes: Warren lists a few of the advantages"; New Music Newspaper No. 3, Melbourne, 1978 page 18

5. "Interview with Warren Burt" (R. Randall and F. Bendinelli); Access Video, Melbourne, 1978

6. "Music in the 80s" ABC FM 24 Hours, Sydney, October '79 page 4

7. "Nighthawk"; excerpt published in Text/Sound Texts ed. Richard Kostelanetz, New York, 1980

8. "Composer Profile"; New Music 1978-79, Northcote, 1980

9. "Rainer Linz, John Campbell and Music 4"; New Music 1980, Nr. 3, Northcote, 1980 page 36-38

10. "Notes" to Epic Monumental Project Performances; New Music 1980, Nr. 4, Northcote, 1980 page 7-24

11. "Herbie Jercher/Chris Babinskas"; New Music 1980 Nr. 4, Northcote, 1980 page 31-34

12. "Der Yiddisher Cowboy"; Cantrill's Film Notes Nos. 35-36, Melbourne, 1981 page 27-29

13. "On the Relation of Sound and Image in Moods"; Cantrill's Film Notes Nos. 35-36, Melbourne, 1981 page 56-64

14. "How to be a Great Composer"; NMA Nr. 1 Melbourne, 1981 page 17-21

15. "Musical Perception and Exploratory Music"; Art & Text Nr. 5, Melbourne, 1981 page 48-57

16. "Seven Composers in Three Parts"; Art Network Nr. 6, Sydney, 1982 page 36-38

17. "Music, Art, and a Repudiation of Irony in Post-Modernism"; Virgin Press, Melbourne, 1982 page 21-24

18. "Music without Hatred"; Stuff, Melbourne, 1983 unnumbered page

19. "The Microprocessor and Exploratory Music"; Australian Micro, Sydney, July 1983, page 38-40

20. "Artificial Reality: A Review"; Australian Micro, Sydney, August 1983, page 78

21. "Post-Modern Performer/Composers from Australia"; ArtPress, Paris, 1983

22. "A Meditation on Australian Exploratory Music" Le Monde de la Musique, Paris, Sept. 1983

23. "Ramble" News of Music, Annandale-on-Hudson, New York, 1984 un-numbered pages

24. "...de la reve..." Stuff, Melbourne, 1984 un-numbered page

25. "Tango by Jon Rose and Martin Wesley-Smith - a review" Australian Music Centre News No. 8, Sydney, 1985 page 25

26. "Instrumental Composition"; AMC News No. 9, Sydney, 1985 page 3-5, 14,15

27. "An Interview with Ron Nagorcka"; AMC News No 9, Sydney, 1985 page 6-8

28. "An Interview with Chris Mann"; AMC News No 9, Sydney, 1985 page 11-13

29. "A Reading List"; AMC News No 9, Sydney, 1985 page 18-21

30. "New Music and Context"; ISCM Journal No 3, 1985 page 18-19

31. "A Month of Radio"; ISCM Journal No 1, Sydney, 1986 page 10-11

32. "Replies to James Koehne"; Meanjin 1/1986, Melbourne, 1986 page 129-136

33. "Sound as a Means of Changing Consciousness"; I S Journal No 2; International Synergy Institute, Los Angeles, 1986 page 11-18

34. "A Brief Survey of Australian Electro-Acoustic Music"; SEAMUS Newsletter, Los Angeles, 1986,

35. "A Set of Justly-Tuned Aluminium Tuning Forks"; Experimental Musical Instruments vol 2, no. 5, Nicasio, Ca., Feb. 1987 page 12-13

36. "Composing for a Set of Justly-Tuned Aluminium Tuning Forks"; Interval Vol V #3, Winter 1986-87, San Diego, page 13, 23

37. "Fine Tuning" Artlink, vol 7 nos 2 & 3, Henley Beach, SA, 1987 page 106-107

38. "Kenneth Gaburo" 24 Hours, August '87, Sydney, reprinted in Sounds Australian No. 15, Oct. '87, Sydney, page 40-41

39. "Some Thoughts on "Nature" and "String Trio No. 2" Cantrill's Film Notes No 53,54, Sept. '87, Melbourne, page 22-29

40. "The 3DIS System" Sounds Australian 19, Sydney, NSW, 1988 page 27-33 41. "Interview with Bruce Smeaton" Sounds Australian 19, Sydney, 1988, page 6-9

42. "Samples III for Computer Processed Orchestra Sounds",NMA 6, NMA Publications, Melbourne, 1988, page 7-15

43. "Funf Absatze uber Kommunikation/Interaktion" Kunstforum International 103, Koln, 1989, page 265-267

44. "Fair Exchanges" Writings on Dance 5, Melbourne 1990, page 38-44

45. "Motivation Interview with Warren Burt," (by Ellen Band) Musicworks 48, Toronto, Autumn 1990, page 6-15

46. "Do We Really Need More Arts Coverage" Sounds Australian 26, Sydney 1990, page 10-11

47. "Towards a Global Symphony" Sounds Australian 27, Sydney 1990, page 25-27

48. "Experimental Music from Australia Using Live Electronics" Contemporary Music Review, Vol 6, No. 1 London, 1991 page 159-172

49. "Australian Experimental Music 1963-1990" Leonardo Music Journal vol 1, No. 1, San Francisco 1991 page 5-10

50. "Interactive Improvisations with Electronic Music Systems" Sounds Australian 32, Sydney 1992, page 41-44

51. "Australia's Felix" 24 Hours, Sydney, Feb. 1992, page 54-55

52. "Essay on Post-Modernism" and "A Post-Post-Modern Afterword" Sounds Australian 33, Sydney 1992, page 18-26 and 44-47 (Special issue on postmodernism edited by Warren Burt)

53. "Interview with Nanette Hassall" Sounds Australian 33, Sydney 1992, page 28-32

54. "Some Relevant Quotes and Thoughts" in "An Emotional Geography of Australian Composition" ed. I. Shanahan and C. Dench, Sounds Australian 34, Sydney 1992, page 17-19

55. "The Pink Violin" review of the book by Jon Rose and Rainer Linz, Sounds Australian 34, Sydney 1992, page 51.

56. "17 Tones, review of Thurmchen Verlag publication" NMA 10 Melbourne, 1993

57. "Extended Wind Instruments from Warren Burt and Brigid Burke", Experimental Musical Instruments Vol. 9, No. 2, Nicasio, Ca. Dec. 1993, page 16-17

58. "Installation at Experimenta: Fighting the "So-What" Factor in Electronic Art" Continuum Vol 8, No 1. Perth, 1994 page 58-68

59. "Thoughts on Physicality and Interaction in Current Electronic Music and Art" Continuum Vol 8, No 1. Perth, 1994, page 69-82

60. "Collaborating with Amanda Stewart- Warren Burt Interviewed by Nicholas Zurbrugg" Continuum Vol 8, No 1. Perth, 1994, page 83-90

61. "Notes on Australian Experimental Music" Minnesotra Composers Forum Newsletter Vol 22, No. 3. St. Paul, March 1995, page 1, 6-7

62. "An Interesting Group of Combination-Product Sets Produces Some Very Nice Dissonances" 1/1 Vol. 9, No. 1, San Franciso, March 1995, page 1, 4-9

63. "Compositional Linguistics - Twentieth Century American Composers and the Text" Art and Design No. 45, London, 1995, p. 10-15

64. "Movement Controlled Electronic Music in Improvisational Performance" The Journal of Improvisational Practice Vol. 1, No. 1, Melbourne, Dec. 95, p. 17-21

65. "Audible Design, by Trevor Wishart-A review" Experimental Musical Instruments vol 11 #2, Nicasio, Ca. Dec. 95

66. Various record and video reviews - Experimental Musical Instruments Vol 11 #3, Nicasio, Ca. Mar. 96, p. 29, 32-35; Vol 12 #2, Dec. '96, p.39, Vol 12 #3, Mar. '97. pp. 40-41 and every issue until Vol 14, no. 4, 1999.

67. "On Performing Harry Partch's "Bitter Music" British Harry Partch Society Newsletter Vol. 1, #4, Birmingham, Feb. 96, p. 4-6

68. "Warren Burt: An Interview" with Barton McLean, Society of Composers, Inc. Newsletter Vol 26 #3, New York City, March 1996, p. 1-2

69. "Some Parentheses around Algorithmic Composition"Organized Sound vol 1, #3, Cambridge, 1996, p. 167-172

70. "Microtonal Pitch Systems in Some Recent Music" in Proceedings of the 1996 Australian Computer Mjsic Association Conference, QUT Academy of the Arts, Brisbane, 1996, p. 13-21

71. "Adventures in Scale Generation Along a Wilsonian Path, Part 1" 1/1 Vol 9 #3, San Francisco, Summer 1996, p. 1, 6-12

72. "Colin Offord: Mouth Bows, Moonbells, and More" Experimental Musical Instruments vol 12, #3, Nicasio, Ca. March '97, pp. 13-18

73. "Microtonal Harmonic Systems in 'Harmonic Colour Fields'" Proceedings of the 1997 Australasian Computer Music Association Conference, University of Auckland, NZ, 1997, p. 44-53

74. "Fluxus, Music, and Performance: The Sonic Origins of a Cross-Disciplinary Art Movement" in catalog: " Francesco Conz and the Multi-Media Avant-Garde Queensland Art Gallery, 1997, pp. 27-34

75. "Electronic Music" in The Oxford Companion to Australian Music, Oxford University Press, Melbourne, Dec. 97

76. "Microtonal and Structural Aspects of My Monodies I and II, for microtonal guitar" Leonardo Music Journal, vol 1, nr. 7, pp 81-83, MIT Press, Cambridge, 1997

77. "After Some Songs, by Joel Chadabe" a review. Computer Music Journal Vol 21, #2, MIT Press, Cambridge, Autumn 1997.

78. "Two Homages to Jackson Mac Low - November 1996" Crayon - Festschrift for Jackson MacLow's 75^th Birthday, Brooklyn,1997, pp. 203-207

79. "Harry Partch: Enclosure 3" a review Cantrill's Film Notes vol 87,88, Melbourne, Jan 1998

80. "Harry Partch: Enclosure 3" another review Experimental Musical Instruments, Feb. 1998

81. "Electric Sound, by Joel Chadabe" a review. Computer Music Journal, Spring 1998.

82. "Sonic Residues" and "Mistika - Linda Ceff" two reviews. Chroma, No. 23 June 1998, pp. 3-7; pp 7-8.

83. "Diversity" Cantrill's Filmnotes, No. 89-90, Melbourne, June 1998, pp.16-23.

84. "Adventures in Scale Generation Along a Wilsonian Path, Part 2" 1/1 Vol. 10, #1, San Francisco, Winter1998, pp. 4-10.

85. "A Year of Fridays" BOOK of computer processed video stills of Year of Fridays Project. Scarlet Aardvark, Melbourne, 1999 (self-published) - edition of 30.

86. "A Happy Glut of Windows Shareware and Software" Chroma No. 24, Melbourne, March 1999, pp. 6-18.

87."The Spectacle and Computer Music: A Critical Assessment" in Proceedings of the ACMC99, Victoria U. of Wellington, July 1999.

88. "Interview with Warren Burt" by Elizabeth Dempster. Writings on Dance No. 18-19, Melbourne, Winter 1999, pp. 51-71.

89. "Greg Schiemer - An Interview with Warren Burt" Chroma No. 25, Australasian Computer Music Association, Melbourne, July 1999, pp. 3-6.

90. "Computer Music Tutorial by Curtis Roads - a Review" Computer Music Journal, Vol 23, No. 2, Summer 1999, MIT Press.

91. "Immersion", "Barry Truax & Christian Calon", "Miniatures Concretes; Presence", "Roads to Chaos" "Matthew Burtner", reviews Computer Music Journal, Vol 23, No. 4, Winter 1999, MIT Press.

92. "Resonances" on Kenneth Gaburo, with Erik Belgum and Philip Blackburn, Musicworks 75, Fall 1999, pp. 30-41.

93. "Too Many New CDs" Chroma No. 26-27, Australasian Computer Music Association, Melbourne, March 2000, pp. 19-30; reprinted in Open Space no. 2, August 2000.

94. Critical Vices: The Myths of Post-Modern Theory co-written with Nicholas Zurbrugg (principal author). Gordon and Breach, NY and London, 2000.

95. "Teaching without Teaching: An Interview with Al Wunder" in Musicworks 76, April 2000, pp. 11-18.

96. "Georgina Born: Rationalizing Culture" review in Open Space no. 2, August 2000

97. "Expanding contexts for computer music: one composer's experience" in Organised Sound Vol 6, no. 1, 2001

98. "New Zealand Sonic Art, Vol. 2" review in Music in New Zealand no. 40, Summer 2001-2002

99. "Developing and Composing Scales based on Recurrent Sequences" in form space time: Proceedings of the 2002 Australasian Computer Music Conference Melbourne, 2002

100. "What Does It Mean To Be Avant-Garde in the Early 21st Century? Or, Avant-Gardening in November 1999 - For Nicholas Zurbrugg" on Australian Sound Design Project Website http://www.sounddesign.unimelb.edu.au/site/papers/avantGarde.htm Melbourne, Nov. 2002

101. "Felix Werder, the Non-Sequitur, and the Outsider" in "Lineages: A Tribute to Felix Werder"That Thing Productions, Melbourne, 2002

102 - 107. "Experimental Music in Australia," "ElectroAcoustic and Computer Music: Composition," "Music/Dance Collaboration - The Composer's View," "Music for Contemporary Dance," "The Composer-Performer Tradition" and "Dance-Activated Music Technology" in The Currency Press Companion to Music and Dance in Australia Currency Press, Sydney, 2003

108-110."Robert Ashley", "Kenneth Gaburo", "Alvin Lucier" chapters in Larry Sitsky, ed. The Twentieth Century Musical Avant-Garde: A Bio-Critical Sourcebook Greenwood Press, Connecticut, 2002

111. "Computer as Part of Improvisatory Theatrical Performance. Or What I Did with Eva and Bill in July and August 2002." in Chroma No. 32, Brisbane, August 2002, pp. 9- 14.

112. CD notes for Kenneth Gaburo: Five Works For Voices, Instruments, and Electronics New World Records 80585-2, New York, 2002

113. "Four from the East" CD Reviews in 1/1Vol 11, No 2. San Francisco, 2003.

114. "Many Environments, Many Paths of Perception" Paper in Proceedings of the 2003 World Forum for Acoustic Ecology Conference Melbourne, 2003.

115. Pythagorean Extraction Chant" Sound Poem in Fumms bo wo taa zaa Uu - Stimmen und Klange der Lautpoesie Christian Scholz Verlag, Basel, 2002.

116. "Thoughts on Structure and Necessity" Paper in Chroma No. 33, Brisbane, March 2003, pp. 6-9.

117. “Interview with Warren Burt” by Nicholas Zurbrugg in Art, Performance, Media: 31 Interviews, Nicholas Zurbrugg, editor, University of Minnesota Press, 2004.

118. “Picking Up The Threads of a History More Extensive Than Previously Known: Percy Grainger’s Work with Music Technology.” - in “Proceedings of the 2004 ACMC Conference”, ACMA, Wellington.

119. “Two Essential Collections, Published at Last” - reviews of collected writings of Milton Babbitt and Herbert Brun, in Chroma 35, ACMA, July 04.

120. “Probability Distributions for ArtWonk” - description of probability distributions package of functions for Algorithmic Arts ArtWonk program - package includes fractals, attractors, probability distributions, etc. Published Jan 06, Algorithmic Arts, Ft. Worth, as part of ArtWonk 2.0. http://algoart.com

121. “The Wilson Installations” - article on structures and tunings and derivations of tunings in compositions “The Mossy Slopes of Mt. Meru” (2002), “Pythagoras’ Babylonian Bathtub” (2003), and “Saturday in the Triakontahedron with Leonhard” (2004-5). Perspectives of New Music – forthcoming 2010-2011.

122. Liner notes for “The Animation of Lists and the Archytan Transpositions” XI 130 CD – XI Records, New York, May 2006.

123. “Thoughts on Volume” - polemic on excessive loudness in electroacoustic music. Chroma 36, ACMA, July 05.

124. “Long distance composing for computer controlled microtonal acoustic instruments” - in Proceedings of the 2005 ACMC Conference, ACMA, 2005, Melbourne.

125. “Experimental Music in 2005" - World Literature Today, U of Oklahoma Press, Sept 05

126. “Additive Sequence Generators for Art Wonk” description of additive sequences package of functions for Algorithmic Arts ArtWonk program. Published Jan 06, Algorithmic Arts, Ft. Worth, as part of ArtWonk 2.0. http://algoart.com

127. “Sonic Geographies - Wollongong and the Illawarra Region of Australia” - in Musicworks 94, Spring 2006.

128. “Ruark Lewis and Rainer Linz” in Musicworks 94, Spring 2006, p. 54.

129. “Kyle Gann - works for Disklavier” - in Musicworks 94, Spring 2006, p. 59

130. “Robert Ashley - Celestial Excursions” in Musicworks 94, Spring 2006, p. 58

131. “Priscilla McLean - Hanging Off the Edge” book review for Musicworks 95, Summer 2006, p. 62.

132. “Felix Werder and the Accidental Australian Adventure” liner notes for CD – Felix Werder: The Tempest, Pogus Recordings, New York, March 2007.

133. “Annea Lockwood’s Ear-Walking Woman for prepared piano performed by Lois Svard - DVD from Innovera Studios” Musicworks 97, Spring 2008

134. “Arthur and Corinne Cantrill: The Film’s The Thing” – Interview in Artlink, Vol. 26, no. 4, December 2006, p. 78-81, and online at www.artlink.com.au.

135. “Warren Burt interviewed by Benjamin Klein” – published in Open Review web magazine – http://www.tacitdynamite.org/openreview/?author=5, February 2007

136. “Microtuning on the Wusik, part 1” Technical article and software set. Published in Wusik Magazine #010, February 2007, pp. 44-52. www.wusik.com/w/index.html

137. “Microtuning on the Wusik, part 2” Technical article and software set. Published in Wusik Magazine #011, March 2007, pp. 18-24. www.wusik.com/w/index.html

138. "Stories from the Cross Disciplinary Trenches" Invited Keynote Address, Australasian Computer Music Conference, July 2007. Published in Proceedings of conference, Canberra, 2007 Trans - Boundaries/Permeability/Reification ACMA, Fitzroy, Vic, June 2007

139. “Cellular Automata as Spectra: Beyond Sonification into Composition” Published in Conference Proceedings Trans - Boundaries/Permeability/Reification ACMA, Fitzroy, Vic, June 2007

140. “Studio Report, Illawarra Institute of Technology, Music Department.” Proceedings of ACMC 2007 Conference, Canberra. Trans - Boundaries/Permeability/Reification ACMA, Fitzroy, Vic, June 2007

141. “David Dunn: Autonomous and Dynamical Systems” – Liner notes for New World Records CD of Music by David Dunn. CD Published July 2007 by New World Records, New York. CD # 80660-2.

142. “Why Sound Artists Should be Concerned with Pitch” – Chapter for Liquid Architecture Book 2007, Liquid Architecture, RMIT, Melbourne – forthcoming in 2009-2010.

143. “A Maturing Artform” – review of Australasian Computer Music Association Conference, Canberra, July 2007. Published in Resonate – on line journal of the Australian Music Centre, 31 July 2007. www.resonatemagazine.com.au

144. “Some Musical and Sociological Aspects of Australian Experimental Music” – peer reviewed article written in 1993, republished in Resonate – on line journal of the Australian Music Centre, 31 July 2007. www.resonatemagazine.com.au

145. “Warren Burt interviewed by Oliver Lang”, Published in Cyclic Defrost Magazine #17, Sydney, August 2007

146. “Balloon Gongs” – article, and sample set / software instrument. Published in Wusik Magazine #018, October 2007, pp. 8-11, www.wusik.com/w/index.html

147. “John Cage: One11 and 103 (1992)” DVD review in Wusik Magazine #018, October 2007, pp. 58-62 www.wusik.com/w/index.html

148. “Toy Pianos!” Article and sample set / software instrument published in Wusik Magazine #020, December 2007, pp. 8-12, www.wusik.com/w/index.html

149. “Barry Schrader – Four Electro-Acoustic Music CDs” – Review article published in Wusik Magazine # 020, December 2007, pp. 86-94, www.wusik.com/w/index.html

150. “Maximum Clarity by Ben Johnston” – Book Review in 1/1, Volume 12, #3, December 2007

151. “Sounds from Dry Ice” – Article and sample set / software instrument. Published in Wusik Magazine #021, January 2008, pp. 118-123, www.wusik.com/w/index.html

152. “Three from the San Francisco Bay Area” – review of CD “League of Automatic Music Composers,” DVD “Noisy People” by Tim Perkis, and Book “The Plenitude” by Rich Gold. Published in Wusik Magazine #021, January 2008, pp. 8-17, www.wusik.com/w/index.html

153. “Toy Pianos!” Article and sample set / software instrument published in Wusik Magazine #020, December 2007, pp. 8-12, www.wusik.com/w/index.html

154. “Barry Schrader – Four Electro-Acoustic Music CDs” – Review article published in Wusik Magazine # 020, December 2007, pp. 86-94, www.wusik.com/w/index.html

155. “The Book of Noise” March 2008 Avance Publications, Adelaide – avance.randomflux.info – book of computer graphics web published by Tim Gaze with 2 contributions by WB.

156. “Board Instruments and the Importance of Surprise” - article and sound set for Wusik Magazine March 2008. www.wusik.com/w/index.html

157. “Robert Ashley: A Contemporary Master of Electronic Opera” Wusik Magazine April 2008 www.wusik.com/w/index.html

158. “Kenneth Gaburo” Introductory Essay to CD Kenneth Gaburo: Maledetto and Antiphony VIII, published May 2008 by Pogus Productions, New York.

159. “Graphic Synthesis: A World of Exploration” - technical article for Wusik Magazine, May 2008. www.wusik.com/w/index.html

160. “Do You Suppose He Didn't Know What He Was Doing? On “Not Knowing” and Computer Music” - Proceedings of the ACMA 2008 Conference, July 08, Sydney.

161. Manual Pages for Fractal Menu for Algorithmic Arts “ArtWonk,” version 3.0. Released 28 Sept. 08. http://algoart.com.

162. Program Notes for Kenneth Gaburo, “Lemon Drops.” Published in “In Celebration of the 50^th Anniversary of the University of Illinois Experimental Music Studios” 4 CD set, EMS-2008, School of Music, U. of Illinois, Urbana-Champaign, September 2008.